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Awarded Social Impact Arts Prize 2020 projects demonstrate creative ways to address social challenges

At a gala event held at the Rupert Museum in Stellenbosch, Hello Wolk!, Tears Become Rain and PLANTed, were selected as the awarded projects.

The Rupert Art Foundation and the Rupert Museum launched the Social Impact Arts Prize in 2019, calling for great creative ideas with the potential to make an impact on the communities within which they are created.

“All of the finalists demonstrated extremely responsible and authentic arts-based ideas that could address pressing social challenges creatively. In inspiringly diverse ways, they presented workable solutions that could influence, affect or simply make us more aware of societal conditions in our world today,” comments Hanneli Rupert, Co-Director and Chairwoman of the Social Impact Arts Prize 2020.

“We hope that this initiative will contribute towards making social impact central to South African arts-based practices – and even the driving force,” added Roelof van Wyk, Co-Director of the Social Impact Arts Prize 2020.

The preparatory work for all six projects is currently on exhibition at the Rupert Museum and will move to the Jan Rupert Art Centre in Graaff-Reinet in April 2020. The three awarded projects will be installed in Graaff-Reinet between April and July 2020, when the official opening of the finished projects will take place.

Here are the six SIAP 2020 Finalists in no particular order:

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Hello Wolk!

by studioMAS and Gustav Praekelt, is a water-scarcity focused project that begins as an artwork, provides a certain amount of water, whilst also connecting to the community digitally. This artwork – created in the hieroglyphic style of the Khoi-Khoi and the San (makers of mankind’s first artworks in the Karoo caves of Graaff-Reinet) – will be built in the image of a rain cloud that collects water from the atmosphere which can be used to water a garden beneath the cloud structure.

The cloud will also operate as a symbol of the digital cloud – offering free community wifi and as a hub for community-based information. Young women living in the town will be taught to code, and update the cloud with Health, Education and Literacy content, as well as information the community feels, is needed.

Revealing The City

by Kim Lieberman & Paragon Architects, will use lace as a visual metaphor to reflect on the potential of an inclusive society where individuals lives are closely woven together, and also to resemble the complexities of our histories, politics and people. Using visual markers like real-world physical ‘pins’ to signify important points within Graaff-Reinet. A mobile app that functions as a woven digital map, reflecting the project will guide visitors through a unique real-world experience and allow them to engage as well as contribute their own connections.

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The Long Table Project

by Kasthuri Naidoo & Ayesha Mukadam, will look at sharing food as a means to rebuild connections across geographical and social boundaries.

The Long Table Project will focus on Market Square – a common meeting point and trading area for all people prior to the Group Areas Act of the 1950’s which divided the town. Connecting three racially different areas of the town – central Graaff-Reinet, Umasizakhe and Kroonvale – the project will reinvigorate this area to create an open-air long table food experience.

All three communities will be invited to share in traditional food projects – as well as seeding the start of an indigenous food garden, combined with localised food heritage education and the activity of wild foraging in order to create a long-lasting legacy for the project, and address sustainability.

PLANTed

by Lorenzo NassimbeniAndrew Brose & Casper Lundie, is a public project which gives visibility to the loss of local knowledge of medicinal plants and recognising the under-represented disciplines of craft, tech know-how, local food culture, architecture and indigenous languages.

This project will celebrate the plant life of Graaff-Reinet, whilst engaging local groups in the production and presentation of a central built structure for artists, designers and the local community to exhibit their plant knowledge and bring to light these overlooked aspects of culture and place that are often concealed.

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Tears Become Rain

by David Brits & Raiven Hansmann, is a mass choir programme in response to the climate crisis.

The creation of this choir aims to instil hope and unite a diverse community by singing together for rain. Drawing on the rich choral history of the greater region, this project uses song as a tool to educate people about our precious water resources– whilst uniting people in their shared predicament. The narrative of Tears Become Rain is a story that follows the journey of a young San boy in a time of great drought. Crying, his tears of grief turn into rain and restore abundance to the world. Connecting contemporary lives to a story from our shared pasts is intended as an inspirational act.

Mirage

by Studio August, is a public-space, sculptural concept that will act as a meeting place for sharing and contemplations.

‘Mirage’ is an execution that will evoke an ancient landscape through the mediums of sculpture and artificial light. In stark contrast to the water-rich Karoo of millions of years ago, contemporary Graaff-Reinet is becoming more and more water-scarce as a result of desertification.

Placed in a public space, the artworks aim to conjure feelings of hope and renewal, allowing people to connect to each other by vividly imagining ancient memories of water coming to tangible life. At night it will be illuminated and become a sanctuary of light in the Karoo, reinstating Graaff-Reinet as an oasis.

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Overview of the Prize

A new South African art prize with a focus on social impact that has a direct, measurable effect on individuals and communities has been launched.

Supported by the non-profit Rupert Art Foundation and the Rupert Museum in Stellenbosch, the Social Impact Arts Prize calls for arts-based activities, projects or programmes in specific categories in South Africa – education, employment, community, environment, technology and direct arts – where social impact can be both qualitatively and quantitatively measured.

“Through this competition we would like to contribute to the very inspiring communities in South Africa and the world who are already using creativity to tackle social injustices,” says Executive Chairwoman and
Co-Director, Hanneli Rupert.

Unlike most established art competitions in South Africa which focus specifically on fine art – this initiative will provide a different lens on art practices and their role in communities – how a great idea has the potentialto motivate, inspire and help a group of people, and be used as a catalyst for change.

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Artists, architects and engineers, landscapers, environmentalists, creative visionaries and other experienced community-based creatives are invited to submit impactful, creative and meaningful ideas and concepts for the award’s consideration.

“It’s incredibly exciting to operate in a time where the arts can be developed as instruments of change. Imagining new ways of integrating art, society and the environment are being explored. We believe that a prize of this type will draw attention towards arts practices which can point towards societal change,” says Director, Roelof van Wyk.

The Social Impact Arts Prize launched in 2019 in Johannesburg, supported by online and offline workshops to create effective proposal guidance for entrants. The announcement of the winner will take place in March 2020 at the Rupert Museum in Stellenbosch and the final project will open to the public in Graaff-Reinet in July 2020.

“Graaff-Reinet has been selected as the site for several reasons. It’s unique landscape – which already draws leading palaeontologists and environmentalists from around the world – reminds us of the deeper picture. Its location in relation to the country’s major cities will allow breathing room for creative ideas to grow. And hopefully, in time, we can continue to build on the legacy of the town as a “Museum without Walls,” concludes Hanneli Rupert.

The Judging Panel

Michelle Constant – Chairperson of the Judging Panel, ZA

Aliki Lampropoulos – Head of International Development – Museum of Cycladic Art in Athens, GR

Suhair Khan – Strategy & Ops – Google | Project Lead – Google Arts & Culture, UK

Azu Nwagbogu – Founder and Director of African Artists’ Foundation (AAF), NIG

Salma Tuqan – Deputy Director, Delfina Foundation, UK

Allan Schwarz – Mezimbite Forest Centre Director, MOZ

Marlon Parler – Impact Entrepreneur, ZA

Listen to our Workshop podcasts which we ran across South Africa for entrants in 2019, so you can catch up on the learnings and be inspired wherever you are.

Welcome and SIAP Overview:
“Museum without Walls”

A Global Case Study
“Re-Building a Community”

Director, SIAP, Roelof van Wyk

A Local Case Study

“The Geoglyph Project – working in the Karoo”

Anni Snyman, Site-Specific

“What makes A Good Entry”

Michelle Constant – Chairperson of the Judging Panel

Frequently Asked Questions